Night Life & Entertainment
The Area's Best Live Entertainment
Join us throughout the week for a solid schedule of live entertainment presented on our state of the art outdoor stage. Regional and national acts playing rock, pop, blues and country are featured weekly.
We're always looking for talented musicians to play at District Square. We have a variety of opportunities available. If you're in a band or even know of a great band you think we should book, please drop us line via our contact form. Make sure that you leave proper contact information or a link to the band on the web.Visit Our Contact Form
|Hours||9pm – 2am||8pm – 2am||8pm – 2am|
|Live Music||---||The Summer Blues SeriesLive Bands8pm – 11pm||Local, Regional &National Touring ActsLive Music8pm – 11pm|
|Late Night||DJ & DancingTop 40 & Dance11pm – 2am||DJ & DancingTop 40 & Dance11pm – 2am||DJ & DancingTop 40 & Dance11pm – 2am|
DJ & DANCING
Thursday, Friday & Saturday Late Nights | Beginning at 11pm
Local DJ's take the helm late night to keep the party going. If you love to dance get down here early and experience Kalamazoo's most dynamic dance floor.
Saturday | September 7th | 9pm
The Spazmatics Story: Or at least what they told us!
In the spring of 1983, physics professor Luis Stigwood of Alta Dena High in Thousand Oaks California, lost a debate over String Theory to an upstart pupil in front of the entire student body and faculty. As agreed to by both parties, the loser would have to do anything that the winner demanded, and the victorious prodigy demanded that Mr. Stigwood perform "She Blinded Me With Science" by Thomas Dolby during half-time at an upcoming state basketball championship game.
Having no musical background and desperate to not go down in total humiliation, Professor Stigwood tapped the genius of electronics teacher Eugene MeeGene, who had achieved international acclaim in 1981 for his invention of "robot" drums. When MeeGene (who was also the girls water polo coach at Alta Dena Middle School) explained that most of the music could be generated by computers, and that all he needed was a couple of decent musicians to fill in the holes, Stigwood was ecstatic. To round out the lineup, Stigwood brought in his brother, Milton on bass, and teacher's assistant, Shureman on guitar.
When the group took center court that evening, members of the hip elite began heckling them with jibes of "geek" and "nerd," while everyone else howled with laughter. But once they broke into the opening salvo of "Science," the nonbelievers were stunned by the group's authenticity of production, world class musicianship, and tight choreography. The performance came to a climax when Stigwood grabbed one of the cheerleaders and began doing the "Belinda" up and down the court with her in tow. When it was all over, the crowd rose in a standing ovation, and the Spazmatics were born.
FACT: From the creators of the World Famous Afrodisiacs comes the Spazmatics. All the awesome sounds, styles, and way cool dance steps from the 1980's decade we'd love to forget. Complete with skinny ties, Brill Creamed hair, and horn-rimmed glasses, the Spazmatics recapture all the best of the worst. Outstanding musicianship combined with creative flair and style makes for an evening of pure energy and entertainment. So tonight we're gonna party like it's 1999; only it's not!Artist Website
Z96.5 & FusionShows Present
Langhorne Slim & The Law
WSG Jake Simmons and The Little Ghost & Vega
Sunday | June 15th | 8pm | 18 & Up
There is nothing like the challenges and camaraderie of the road to inspire a songwriter who thrives upon the emotional energy and exhilaration only travel can deliver. Some singers are devoted to the pursuit of perpetual motion, and Langhorne Slim releases his wild soul in ways that come out of the discipline of live performance.
The 13 songs that compose Langhorne Slim & The Law’s new The Way We Move are road-tested, rollicking and very rock ‘n’ rolling tunes that the songwriter perfected with his loyal band, and come out of the kind of good times and bad experiences that songwriters of Langhorne’s lofty stature can turn into life-affirming rock ‘n’ roll. You could also call what Langhorne Slim does folk music, but then there’s his sly, charming and open-hearted feel for pop music—those summertime melodies that nudge you into a grin even when the song is about something bad.
For Langhorne Slim—Pennsylvania-born self-taught guitarist who moves to Brooklyn at 18, begins feeling out his place in a burgeoning punk-folk scene, wends his way to the West Coast, and finds himself celebrated from Newport to Portland as one of today’s most original singers and songwriters—The Way We Move represents the sound of a band devoted to living in the moment. Riding the success of his 2009 full-length Be Set Free, Langhorne went through some changes over the last three years—he lost his beloved grandfather, who is the subject of the new record’s moving “Song for Sid,” and moved on from a relationship that had lasted five years.
But these guys don’t play the reference game, and like to keep it raw. The new record moves in ways that are fresh for Langhorne Slim & The Law, and demonstrates all the ways we can go forward while keeping an eye on the mirror. They’re laying down the law. It’s very American, and when Langhorne Slim contemplates whether or not he fits in to any narrow-cast definition of this country’s music, he replies with a perfect, laconic joke: “I think we fit in most places that would take us.”Artist Website Buy Tickets